409 years later, the annual festival to commemorate a terrorist plot failure becomes the largest international gathering of fancy-dressed superheroes.
Something About Mary
Image from There’s Something About Mary (1998)
 
I’m sure you all know the history. The story of Bonfire’s night was of a Catholic plot to remove the King and blow up the House of Lords in 1605. The lucky King James, upon surviving the attempt, encouraged his British subjects to laugh at, enact and celebrate this failure of a terror plot. For centuries the nation would use this gathering event as a state-run mockery of activism and another reminder of the common consensus that “God save(s) the King”
 guy_fawkes_celebration
Annual Guy Fawkes Reenactment
Image from China Daily
Guy Fawkes, became the central figure of the wrath of the King. He was famously tortured in the Tower of London. Nowadays, one can still visit a room  in the Tower named after him. After experiencing the Guy Fawkes Room, his final gruesome execution was a public spectacle, as was most of the executions of that period.
“Their genitals would be cut off and burnt before their eyes, and their bowels and hearts removed. They would then be decapitated, and the dismembered parts of their bodies displayed so that they might become “prey for the fowls of the air.”
To add insult to injury, King James had this eternal torment in Guy’s afterlife reacted every year through the burning of an effigy. Through the centuries, these effigies migrated. The Bon fire’s hall of fame included the Pope, Margret Thatcher, members of the royal family, the Scottish National Party to 2014’s eyebrow-raising stunt of Putin gunning town the Malaysian flight. The bonfire became a meme, as the annual release of civilian frustration. Perhaps that was King James’ biggest mistake, meme-fying Guy Fawkes was to make him a celebrity.

http://www.huffingtonpost.co.uk/2014/11/07/pictures-of-the-week_n_6121030.html

Putin gunning down Malaysia Airlines Flight MH17
Image from Huffington Post
Back across historical times, the word “guy” would’ve meant as a repulsive person of great disgust. Guy was a terrorist, a person that tried to attack the head of the cultural constitution. The word ‘guy’ is now most used as ‘some guy’, an ordinary nondescript person, mostly man. Nowadays we think of a cosmopolitan woman referring to a bad date in a rom-com to signify another passerby. It is this ability of the word “guy” to become both historically significant and at the same time as casually anonymous a point of habitual dismissal that’s made Guy a universal symbol of modern activism.
bonfire_eye_campaign
Bonfire Safety campaign for Tyne and Wear Fire and Rescue Service
In each technological strand of progress, activism has become socialized, from its first story of terror to the modern ‘cute’ symbols of a voice, any voice. The ancient story of blowing up a building has migrated from national legislated exercises of health&safety when watching fireworks to celebrity-led youths occupying properties. In 2011, the Occupy movement of NYC was allowed to extend their stay by cleaning, instead do destroying, their site of occupation. We can see its stark contrast to the decreasing citizen support for HK occupy protesters as they become hassles to HK society.
russel_brand_guardian
Celebrity being no so anonymous during Million Mask March of 5th Nov 2014
Image from Guardian
The ‘cute’ I refer to is not Russell Brand the celebrity personality nor thousands of adverts of the “cute Guy Fawkes t-shirts” on sale on eBay, but the socialization of what would have been terrifying outbursts ironically given the seal of approval by the tradition of municipal bonfires themselves. Named as the American’s Thanks Giving, it’s become a day when neighbours gather dragging their children in glow sticks and toffee apples through dark, muddy city parts, while glowing themselves from iPhones as they struggle to keep their social media in order. This is the channel for modern protest. It’s living proof that Ethan Zuckerman’s ‘Cute Cat Theory of Kitten Activism‘ works in the analogue world of the physical.

Written by Lisa Ma

Lisa Ma socializes activism. Combining ethnographic research and speculative design, Lisa creates platforms of engagement from surprising insights and processes that deeply resonate with the global technological community. The emergence of clicktivism – to protest at the click of a mouse – is trivializing activism. Lisa argues that although activism doesn’t necessarily benefit from technology, we need to evolve how activism contributes to technological societies. To illustrate this, she designs dilemmas and creates social events that are perceived as activism but function as services.

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